Bread and Butter in Berlin

In 1923, due to the increasing dissonance between the expressionist style of the painter Lothar Schreyer, member of the Berliner group ‘Sturm’, and the aesthetic foundations of the Bauhaus, which aspired to achieved a synthesis of all arts through pure forms, he was substituted as the director of the scenic workshops of the school, an essential part of the interdisciplinary plan of studies of the project of Walter Gropius, who aspired both to the elimination of barriers between artists and artisans as well as the acknowledgement of the possibility that art could influence in industrial production.

The successor to Schreyer was Oskar Schlemmer, who during the period between 1923 and 1929 transformed the Bauhaus scenic workshops into a pioneer multidisciplinary centre of experimental work that reflected, through dynamic ways, the artistic and technological sensitivities of the school.

The most representative result of this work was his seminal Triadic Ballet, that contained all the spectrum of Schlemmer’s theory on performance and which is, today, probably still the most interesting and complete fusion of dance, music and costume (that extended in space the contours of the body, a true driving force behind performance, through the use of metal, fabric and wires that transformed the actors into abstract figures) that had never been staged before.

Schlemmer’s works are a double witness on one hand of the tight and live existing relation between art and fashion in contemporary times and on the other of an era, the period between the wars in which Germany was one of the great capitals, not only of artistic avant-garde but also of fashion, able to compete in its own way with countries such as France or Italy in this field.

After having great success for many years in Barcelona, the international urban fashion festival Bread & Butter, possibly the most important one in the world in its field, has been hosted in Berlin since 2010, and will host its next edition from the 18th to the 20th of January in the centric and emblematic Tempelhof airport, which has been closed to air traffic for many years (http://www.breadandbutter.com/winter2012/). This is an event which is like a way of travelling to those unique times on board of no lesser special aeroplane able to dig out past, present and future, a legitimate sphere of relativity where art adapted to fashion seems to be moving in its own sphere, full of possibly, as Marshall McLuhan said, a certain infallibility that fills in some way the sensorial emptiness created by the different misplacements caused by technology.

It seems that a lot of time has gone by since Schlimmer’s experiments, although we still can’t say, like Chesterton, if the world is young or old, but the German capital is today like it used to be before, one of the most avant-gardist and vibrant cities in the West.

Paul Oilzum

If you rent apartments in Berlin around these dates, submerge yourself in the fascinating world of Bread & Butter, a festival that in barely ten years has become the most important in Europe.

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Translated by: aleixgwilliam
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